Friday, August 22, 2008

Nothing to fear, nothing to doubt

Ten years ago, when I was still in college along with my good friends Paul and Jake, we decided to drive from Redding, CA to Salem, OR to try to get seats to a sold-out Radiohead show during the tour in support of their album, OK Computer. To try to ensure that we were able to get tickets, we arrived at the Salem Armory quite early in the afternoon, so early that no one else had yet arrived for the evening show. We could hear the band rehearsing inside the venue, and of course we wished that somehow we could be a fly on the wall inside, listening unnoticed to one of the world's biggest bands rehearse. I don't remember how it happened, but one of us must have pulled on the door out of joking desperation, fully expecting it to be locked. We were surprised and shocked to find the door was in fact unlocked. Like giggling school-girls, the three of us immediately walked in without a moment's hesitation.

What we found was Thom Yorke playing a song by himself on acoustic guitar and several roadies playing Frisbee in front of the stage. An odd sight to say the least. An errant toss landed at our feet and a short man with spiky blond hair retrieved the Frisbee from us (it turns out this was not a roadie but the drummer for the opening act, Spiritualized). The expressions on our faces must have made us look obviously out of place, because after a few minutes a woman security guard in her mid-40s promptly ejected us from our pre-concert performance fantasy.

Now, ten years on, I went to see Radiohead again this past week with my wife Olivia (she likes Radiohead quite a bit). I didn't really know what to expect for the show since I really haven't been too big a fan of the band's most recent records, apart from their latest, In Rainbows. The show however, was nothing short of spectacular. The band was locked in and having a good time. Thom Yorke seemed to be comfortable in his skin, which if you are familiar with some of the lyrics he writes, may come as a bit of a surprise (I know it was to me). I felt that the newer, more ambient and electronic songs translated surprisingly well live, with many of the arrangements expanded to include an organic element which I deemed missing from the recorded versions.

Oddly enough, the band screwed up badly enough at both shows that they needed to stop a song and completely start it over; "The Bends" at the show in Salem and "Faust Arp" (they actually had to restart the song twice) in Seattle. The video gives a good feeling of the general mood of the band. In between the screw-ups Johnny Greenwood and Thom Yorke do an impromptu cover of Neil Young's "Tell Me Why" and drummer Phil Selway leaves a tip.

Wednesday, August 13, 2008

Imagine No Religion

I was greeted by this billboard earlier today after being bused into downtown Seattle from the 'burbs. At the risk of sounding reactionary, I was quite taken aback by the sight. My first thought was that in a country founded in part on the freedom of religion it was ironic that I would see an advertisement for a foundation that proclaims freedom from religion (is it just me or is freedom from religion not an inherent option within freedom of religion?).

The Freedom from Religion Foundation (FFRF) website states that their purpose is to act as a "watchdog" for the separation of Church and State. A lifetime member of the FFRF is quoted as saying that the billboards intention is not to question any specific religion or faith but to proclaim that society can only reach its full potential through the scientific method. I would beg to differ. I infer from his words that religion (okay, not a specific religion, but religion in general? All religion?) gets in the way of progress. The FFRF website proclaims that

The history of Western civilization shows us that most social and moral progress has been brought about by persons free from religion.
Like Hitler and Stalin? Is this statement not an overt claim concerning the negativity of religion, that on a foundational level religion is mutually exclusive with what the FFRF deems as "progress"? Is the implied eradication of religion a means to this end ("progress")? Are the members of FFRF feeling threatened by the free choice of others to practice their respective religion?

I would imagine such a protest against religion is best seen in the context as a reaction against religious fundamentalism. A friend of mine has posted on this topic recently here. I can't help but wonder if the FFRF is unwittingly fostering its own brand of fundamentalism?

Perhaps this posting is an overreaction? Should I view such an organization as lending itself to the promotion of atheism and agnosticism as a viable worldview and nothing more? If the FFRF were simply promoting their worldview as viable, it would in no way threaten my own personal beliefs or even my choice to have a belief. What bothers me is not the overt language of promotion but the overt and implied disparagement of religious belief. Does this message not run counter to the "freethought" claim of the FFRF?

If the past 100 years of human history has taught us anything, it is that fascism can have an ugly, dangerous and conservative face bent toward evil masquerading in the name of "progress." I fear the direction in which our society is currently headed, our evil clown bent on progress at all costs has changed masks and tactics; he has traded in his conservative mask for a liberal one. The end result of "progress" remains but the means by which to achieve that end has changed.